Back to the Future, Nylon March 2000
photography robert nettarp
(Source: dustulator)
hell yes. i can be your rent boy instead.
Summer 2013, Céline by Phoebe Philo
Paola
photography frédéric auerbach
Portraits of women in Hermès
Le Monde d’Hermès № 35, 1999 Vol. II, Fall–Winter 1999–2000
Images of two women wearing the summer collection, interspersed by shots of the studio.
A beautiful insight into production.The video showed two women wearing the collection whilst walking through the streets and metro adjacent to the showroom, and was intercut with segments showing the production of the pieces. It was prepared the week before international press and buyers arrived in Paris.
Spring-Summer 1997, Martin Margiela
This collarless jacket has the narrowed front bodies and the sleeves were attached to them so as to to produce a flat composition. As the result is a completely flat structure, the narrow front has distorted the breast pocket, so that clear wrinkles are left when the jacket was pressed after sewing. Martin Margiela is highly experimentative, and a lot of his creations are produced with approaches that distinguish him from other designers, including unfinished clothes, clothes reconstructed from second-hand resources, and his vests that mimic Stockman torso. His experimental streak can clearly be seen in this jacket, too.
The Spring-Summer 1998 collection that included this jacket was presented in a joint show with Rei Kawakubo, who has been constantly at the leading edge of fashion since the 1980s. Margiela freely admits that Kawakubo’s creations have influenced his own work, and the two designers made an ideal combination. Instead of models wearing the clothes, the collection was shown on hangers presented by staff wearing white clothes, which made the flat structure very evident.
Metamorphosis, Spring-Summer 1998, Martin Margiela
Artisanal patchwork jumper, Martin Margiela
After all the crazy Céline I’ve drowned myself in, I’m still a Helmut/Margiela kind of guy.