Yeah, this just happened. Fyeah. Luxury lounge looks. #céline (at Sogo 崇光百貨)
Céline, Spring 2014
Food rich in anti-oxidants keeps your body from turning rusty! My new sidekick – Side Lock in Rust. #outfit #calvinklein #balenciaga #ganryucdg #madebynb #céline #me
John Scarisbrick and Daniel Magnussen for Intermission
swandiamondrose said: I don’t get it. This isn’t on style.com as this season. All I want is a pic of that dress belted across the bust. I can’t find it!!!!!!!!!!!!! I am dying out here!!!!!!!
Sorry must have missed this comment! Here you go, Look 10. This hasn’t been released on celine.com yet.
Oh and Spring is Céline’s Resort terminology.
Spring 2014 Ready to Wear, Céline
Accessories and Bags, Spring 2014, Céline
This is my favourite of the entire abstract geometric lot.
The last great Céline collection is Winter 2011.
Phoebe Philo puts austerity in fashion
Phoebe Philo, the creative director of Celine brand for five years, pretended to refuse this “I” there, but draws women in large coats that look like him, so steep they seem to keep standing alone. When I said, it is for the combine with a principle. “My work has nothing to see with the physical women, but their power. My job is to get stronger again. In the growing popular, they are very sexualized and I do not like it. I love the simplicity that reassures. I want to go against the idea that women are always busy to seduce.”
Not sure if its liberating passionate fervor empire LVMH who named - and which belongs Celine - rich crazy Asian brand or fashionistas seeking, there more than elsewhere, the “must have”. But she did not budge. She keeps coming back. You do understand that all she has to say is in these few sentences. “My work speaks for me. Revolution I want, they are less sexualized women, who stop running after perfection, and work for them themselves.” It would almost look like an independent living light years golden avenues of luxury and fashion. “Céline is part of an industry , but it is free to express what we want. I’m not just working on the clothes, I am concerned, there is a philosophical approach.” In it, each endpoint is sound. It is take or leave.
Independent? She arrived there in late 2008 by a turnover in the world’s number one luxury and has become one of the most influential, the most honored and most copied in the fashion circuit. This teaches worn, flatly bourgeois dull or imaginary, she made an essential mark. “Céline had no archives, no own DNA into fashion. It was exciting, it gave me the latitude to recreate. It was a small company that could make my idea. I was not prevented by a past, a legacy. were all taken. “
"JE SUIS FLATTÉE D’ÊTRE COPIÉE"
She kept nothing from the front, not even a bag, a perfume or a logo, it just redesigned the accessories to decorate shops, more artistic director a stylist, she has nothing left to chance. A hard-line charges. The brand has never been more visible. And new stores should s’ open around the world.After Nicolas Ghesquiere for Balenciaga, today is Phoebe Philo for Céline gives the “the” fashion. Expected, commented, necessarily acclaimed, his shows are for five years, the highlight of Paris Fashion Week. Then, through major retailers, Zara Monoprix, street fashion makes Céeline. Or rather Phoebe Philo, imitating its flexible basket, the flagship of the house, its spotless robes shirts, coats his oversized wool. “I am flattered to be copied. I find it interesting to see how this is reworked . It is very functional, we do. It goes to the end of the world. “
Upon entering the 15 Cavendish Square, London, on one of these places and neat astiquées a center monopolized by foreign billionaires, we find ourselves at the foot of a staircase that winds and climbs into his office: verticality is, entrance, with her on top of the control tower. Up there, you soon realise it is a little violence in receiving us, it is suspicious, focused, timed, the smile just polite. Beforehand that we know will have to row a little for him take the picture. We also know very quickly when the question displeases him, something in his eyes harden immediately.
She does not like interviews, cultivates its rarity, leaking red carpet as women’s magazines, though stuffed with advertisements for Céline, who ask him the name of his children and his brand of night cream. It avoids personal questions. Do not include a book, a film, a creator, an author, an event which is marked. “Like a lot of things.” She reads the Guardian every morning. “I am interested in politics . I not believe everything I read, but I want to stay connected. ” nothing to say that could define themark . Check each word. “In my opinion, discretion is a source of strength. anonymity too. One belongs to nothing but itself.”
SA MODE EST COMME ELLE : RAIDE ET DÉTERMINÉE
Finally, its fashion as it is: stiff and determined. Or madness, or nonchalance, or exuberance. “To break the traditional female representations she played tissue stiffness away from the body. There are almost a rejection of the body”, explains Serge Carreira, a lecturer of a course entitled “Fashion and luxury” at Sciences Po Paris. Day parade, she said to her models, selected after extensive auditions supposed filter girls evanescent in favor of stronger personalities, walking very quickly and safely. They argue perched high, planted off the look, it is the north than in the south, in Bergman rather than Fellini. But this garment shaped armor they wear, this is the attack or defense? It is unclear, at the confluence of strong and fragile. Like her, authoritarian and discreet, and so never concrete, probably knows that the world of fashion destroys you and you eat. “Not Even” seem to say his creatures.
She was born in 1973 near Paris, the Franco-British hospital Levallois-Perret. His parents, the British settled in Montmartre, were visiting the father worked in the real estate , he was appointed to the Paris branch of his business. The designer mother stopped working time to raise her three children. Phoebe Philo was the eldest of a family middle class , tinged seventies. “My parents did not impose anything. It was freer than today. I was an independent child, a tomboy, always outside, I grew up in the suburbs of London then, I loved being in nature, I have always found the city quite toxic. “
JEUNE FILLE, “COOL ET DÉJÀ FORTE”
But LONDON - Swinging London, the street culture, its music, its individual challenges and eccentric when Paris cultivates what one is supposed to be -. Influenced it “Ado, I did my clothes myself, I have had many periods, styles. In England, everyone can say a style of its own and each generation seeks its identity. I always took my distance models of seduction.”
When she joined the prestigious Central Saint Martins College of Art and Design, Department “fashion and textile”, which requires the input neither a diploma nor money in the cradle, it does not exactly know what she seeks. “I always wanted to do something with my hands, work faster and be independent from my family. “
His professor in charge of women’s fashion, Willie Walters, remembers “a cheerful girl with lots of friends, cool and already strong. She already had this look today, discreet and not too sexy perhaps more girly, but she was 20. And then at school, all the concepts are manipulated, all materials, we dare everything, even the wood, it already said it would be nice towear for women”. The school is a real reservoir of talent - John Galliano or Alexander McQueen have been there. But Phoebe Philo, again, would not have the air of belonging to a club. “level was very high. But those years, I mostly learned who I was, what I loved … and it could have happen elsewhere.” She graduated in 1996.
She quickly joined Stella McCartney, output a year earlier the Saint Martins College, at his request, Chloé. The English girls while in command of a fashion house in Paris, one inherited a rock’n’roll surname and knowsplay the ambassadors, the other works in the shadow she is not afraid .Insiders quickly spotted his talent and importance, and it is only natural that she remains at the helm when Stella McCartney hand fly with its own wings. It does not yet offer a conquering, but romantic femininity. Today, she no longer speaks of this period or this female duo who still sticks to his resume. “Not sure they still intend”, whispers the middle. The number two has gained so much importance…
DÉFILÉ ANNULÉ POUR CAUSE DE GROSSESSE
After Chloe, she left in 2006, it is however a little mind , she returned to London, married Max Wigram, which now has a contemporary art gallery on Bond Street, is a child, then a second. She is there when Bernard Arnault is the look on the advice of his daughter Delphine, for him to entrust the keys to Celine. Beforehand, so it poses a condition with his character and his sharp eyes: work in London ( “this is my house” ), preserving his life, even if creative workshops are in Paris. Is yes.
And yes it is still on the side of the highest levels of luxury when expecting her third child and cancels the high mass of the show due to pregnancy .”When it’s time to stop, I stop. I feel engaged. I’m not a machine, it has its weakness. We educated to never stop, I like to stop.” To better resume. Observers have noted that his return parade autumn-winter 2013, it had slipped from the flow under the big stiff coat, dress swayed on his knees, then the silk knots, pastels are emerged. The maker of fashion, bride-three children, seemed slightly lower guard. Softened.
RUPTURE AVEC LE BLING-BLING ET LE PORNO CHIC
It is no longer possible mode revolution, it is only cycles. The swank and glamor of the 1980s were swept away by the next decade, swept in turn by the bling-bling and chic porn 2000s embodied by Galliano and Dolce & Gabbana. Phoebe Philo represents a break with the era, she comes after the overflow. And while the body of the woman has become the challenge of a world torn too covered there, too offered here. In the “désexualisant” she offered him power and protection. “If people like it is indicative of the time”, she said. It is this generation that does not claim the word “feminist”, understood as a hatred of men and the world of luxury also falsely subversive. But stare at its unique principle, which takes the place of thought.
"It is exciting to be a woman in this world right now. I think many women, they are incredibly relevant. Being a fashion designer is thinking women." She distributed the day of the parade "Inspiration books", photo books without largely drawn from pop culture and underground legends, which show that she grew up in London in the 1970s. She designs for women lined sandals that will cause the magazines, but also tote fluids that may contain female ubiquity, office files and the last small blanket. After five years, the time of beginning and evidence is gone. The challenge for her is to live, to grow, take his cuts and wrapping materials.
A light sentence piece of contemporary art, waves above the fireplace in his office: “Where there is pressure, there is folkdance” (“Where there is pressure there is folk dance”). Indecipherable. Like her, who already has a name added to the list not so long creating women for women.
I have both pre-Safilo styles and supposedly the hinges are improved on the newer models. I love the more nondescript styles (lesser logos) of the earlier batch though.
I believe it’s just acetate?
Brushed mohair knit jumper in Forest, Winter 2013, Céline at Browns Fashion
Sure feels like a kimono-wrap bathrobe cardigan kind of day today. #driesvannoten #apc #lanvin #céline #hermès #me