c o t o n b l a n c

Will Lemay, Arena Homme Plusphotography nick knight styling simon foxton make-up charlie pichon

Fashion Images de Mode Nº4 (1999)

Will Lemay, Arena Homme Plus
photography nick knight styling simon foxton make-up charlie pichon

Fashion Images de Mode Nº4 (1999)


Claire and Nathalie, Dazed & Confusedphotography bettina komenda styling desiree heiss of bless

Fashion Images de Mode Nº4 (1999)

Claire and Nathalie, Dazed & Confused
photography bettina komenda styling desiree heiss of bless

Fashion Images de Mode Nº4 (1999)


Dazed & Confusedphotography martina hoogland-ivanow
The Shock of the New! – Nine New Talents Displayed

Fashion Images de Mode Nº3 (1998)

Dazed & Confused
photography martina hoogland-ivanow

The Shock of the New! – Nine New Talents Displayed

Fashion Images de Mode Nº3 (1998)

The Kills: Our Time Is Now (2005)photography laurence passera
Dazed & Confused: Making It Up As We Go Along

The Kills: Our Time Is Now (2005)
photography laurence passera

Dazed & Confused: Making It Up As We Go Along

(Source: cotonblanc)

Macumba (1998)photography inez van lamsweerde and vinoodh matadin styling katy england
Dazed & Confused: Making It Up As We Go Along

Macumba (1998)
photography inez van lamsweerde and vinoodh matadin styling katy england

Dazed & Confused: Making It Up As We Go Along

Anna Paquin (2003)photography anette aurell styling masha orlov
Dazed & Confused: Making It Up As We Go Along

Anna Paquin (2003)
photography anette aurell styling masha orlov

Dazed & Confused: Making It Up As We Go Along


Dazed & Confused’s first office in Berwick Street was situated under Corinne Day’s flat. The team felt a synchronicity with her because she was pushing for reality and emotion in photography. When the magazine published these bloody knickers on a stand-alone page they caused negative feedback from advertisers and the issue was removed from certain stockists in yet another censorship issue.

GIRLS 1991–1997 (1997)photography corinne day estate courtesy of gimpel fils gallery
Dazed & Confused: Making It Up As We Go Along

Dazed & Confused’s first office in Berwick Street was situated under Corinne Day’s flat. The team felt a synchronicity with her because she was pushing for reality and emotion in photography. When the magazine published these bloody knickers on a stand-alone page they caused negative feedback from advertisers and the issue was removed from certain stockists in yet another censorship issue.

GIRLS 1991–1997 (1997)
photography corinne day estate courtesy of gimpel fils gallery

Dazed & Confused: Making It Up As We Go Along


Tim (foreground) wears customised adidas top by Maria Chen; suede leather briefs by Carol Christian Poell; Arjen wears top by Raf Simons; trousers by Wendy & Jim; striped socks from Fans, Antwerp

Uprising (2000)photography horst diekgerdes styling alister mackie
Dazed & Confused: Making It Up As We Go Along

Tim (foreground) wears customised adidas top by Maria Chen; suede leather briefs by Carol Christian Poell; Arjen wears top by Raf Simons; trousers by Wendy & Jim; striped socks from Fans, Antwerp

Uprising (2000)
photography horst diekgerdes styling alister mackie

Dazed & Confused: Making It Up As We Go Along


RAF SIMONS Kes wears black cape, black polo neck and elasticated evening trousers all by Raf Simons; shoes by Converse
SPECIAL THANKS TO ALL THE DESIGNERS WHO CREATED THE MINIATURE LOOKS FOR THIS PROJECT

Shrink To Fit (1999)photography horst diekgerdes styling alister mackie
Dazed & Confused: Making It Up As We Go Along

RAF SIMONS Kes wears black cape, black polo neck and elasticated evening trousers all by Raf Simons; shoes by Converse

SPECIAL THANKS TO ALL THE DESIGNERS WHO CREATED THE MINIATURE LOOKS FOR THIS PROJECT

Shrink To Fit (1999)
photography horst diekgerdes styling alister mackie

Dazed & Confused: Making It Up As We Go Along


SPECIAL THANKS TO ALL THE DESIGNERS WHO CREATED THE MINIATURE LOOKS FOR THIS PROJECT

Shrink To Fit (1999)photography horst diekgerdes styling alister mackie
Dazed & Confused: Making It Up As We Go Along

SPECIAL THANKS TO ALL THE DESIGNERS WHO CREATED THE MINIATURE LOOKS FOR THIS PROJECT

Shrink To Fit (1999)
photography horst diekgerdes styling alister mackie

Dazed & Confused: Making It Up As We Go Along


RAF SIMONS Kes wears black cape, black polo neck and elasticated evening trousers all by Raf Simons; shoes by Converse
SPECIAL THANKS TO ALL THE DESIGNERS WHO CREATED THE MINIATURE LOOKS FOR THIS PROJECT

Shrink To Fit (1999)photography horst diekgerdes styling alister mackie
Dazed & Confused: Making It Up As We Go Along

RAF SIMONS Kes wears black cape, black polo neck and elasticated evening trousers all by Raf Simons; shoes by Converse

SPECIAL THANKS TO ALL THE DESIGNERS WHO CREATED THE MINIATURE LOOKS FOR THIS PROJECT

Shrink To Fit (1999)
photography horst diekgerdes styling alister mackie

Dazed & Confused: Making It Up As We Go Along

Iconography: Grace Jones (1998)photography juergen teller
Dazed & Confused: Making It Up As We Go Along

Iconography: Grace Jones (1998)
photography juergen teller

Dazed & Confused: Making It Up As We Go Along

Iconography: Grace Jones (1998)photography juergen teller
Dazed & Confused: Making It Up As We Go Along

Iconography: Grace Jones (1998)
photography juergen teller

Dazed & Confused: Making It Up As We Go Along


This shoot marks the very first time the hatmaker Philip Treacy met Grace Jones and it kickstarted a professional relationship that witnessed him go on to create work for her stage shows and performances.

Iconography: Grace Jones (1998)photography juergen teller
Dazed & Confused: Making It Up As We Go Along

This shoot marks the very first time the hatmaker Philip Treacy met Grace Jones and it kickstarted a professional relationship that witnessed him go on to create work for her stage shows and performances.

Iconography: Grace Jones (1998)
photography juergen teller

Dazed & Confused: Making It Up As We Go Along