Reversible shirt-jacket in charcoal double-faced diagonal wool
Sleeveless high collar tunic pullover in black comfort cashmere
Rounded pants, two zippers, in charcoal comfort flannel
Delphine
photography tim richmond
Portraits of women in Hermès
Le Monde d’Hermès № 35, 1999 Vol. II, Fall–Winter 1999–2000
Drawstring back dress in dark grey chiné cashmere
Turtleneck tunic pullover in dark brown cashmere
Low Boots in black oiled calfskin
Marie-Anne
photography joanna van mulder
Portraits of women in Hermès
Le Monde d’Hermès № 35, 1999 Vol. II, Fall–Winter 1999–2000
Shirt-jacket with zipper in grey light baby alpaca
Highneck pullover without seams in grey cashmere
Drawstring pants in grey light baby alpaca
Delphine
photography tim richmond
Portraits of women in Hermès
Le Monde d’Hermès № 35, 1999 Vol. II, Fall–Winter 1999–2000
Cashmere pullover entirely free of stitching. In our workshops, we verify this perfection with the help of columns of light on which the weave creases, spreads, stretches, and flows, from collar to sleeves, in order to be examined from all angles.
Chanson de geste
photography luc pérénom
Le Monde d’Hermès № 35, 1999 Vol. II, Fall–Winter 1999–2000
The “H” literally hangs on a thread, the handstitched six-hole button outlines the letter which acts as the establishment’s signature.
Chanson de geste
photography luc pérénom
Le Monde d’Hermès № 35, 1999 Vol. II, Fall–Winter 1999–2000
Reversible poncho stole in double-faced dark brown nappa lambskin
Sleeveless high collar tunic pullover in black comfort cashmere
Rounded pants, two-zippers, in charcoal comfort cashmere flannelLong gloves, in black moko nubuck, hand-stitched
Paola
photography frédéric auerbach
Portraits of women in Hermès
Le Monde d’Hermès № 35, 1999 Vol. II, Fall–Winter 1999–2000
Tokujin Yoshioka window displays for Hermès
Reversible shirt-jacket in charcoal double-faced diagonal wool
Sleeveless high collar tunic pullover in black comfort cashmere
Rounded pants, two zippers, in charcoal comfort flannel
Delphine
photography tim richmond
Portraits of women in Hermès
Le Monde d’Hermès № 35, 1999 Vol. II, Fall–Winter 1999–2000
Tunic with remote neckline in light brown chiné cashmere
Marie-Anne
photography joanna van mulder
Portraits of women in Hermès
Le Monde d’Hermès № 35, 1999 Vol. II, Fall–Winter 1999–2000
Deep v-neck tunic pullover, long removable cowl neck, in chalk comfort cashmere
Boat neckline pullover in light grey cashmere
Pants with two pleats in stone comfort flannel
Félicitas
photography mark borthwick
Portraits of women in Hermès
Le Monde d’Hermès № 35, 1999 Vol. II, Fall–Winter 1999–2000
Whale Purse in Nepal Box Leather, Hermès
Messenger in Fauve Barenia, Yohji Yamamoto for Hermès
Tunic pullover, long removable cowl neck, in chalk comfort cashmere
Rounded pants, two zippers, in stone comfort flannel
Turbo women’s sports moccasins in dust oiled calfskin
Félicitas
photography mark borthwick
Portraits of women in Hermès
Le Monde d’Hermès № 35, 1999 Vol. II, Fall–Winter 1999–2000
Long coat, removable collar, in double-faced dark brown nappa lambskin
Extrovert buttoning, designed to be shown, displayed to wind and gaze alike. Here the removable collar has been put on a leather garment. It is lined with the same material, that is, with itself – lambskin in this case. The craftsman’s hand chooses the skins, feels them for the sibling sensibilities of weight and flexibility, and achieves the perfect hang for both inside and outside.
Chanson de geste
photography luc pérénom
Le Monde d’Hermès № 35, 1999 Vol. II, Fall–Winter 1999–2000
Hand-woven stole in dark grey mohair
Pants with two pleats in dark brown super 120
Long gloves in étoupe shearling/white wool, hand-stitched
Marie-Anne
photography joanna van mulder
Portraits of women in Hermès
Le Monde d’Hermès № 35, 1999 Vol. II, Fall–Winter 1999–2000
