c o t o n b l a n c
Tote, Jil Sander, Spring–Summer 2012

Tote, Jil Sander, Spring–Summer 2012

POSTED: 1 month ago NOTES: 68 TAGS: #raf simons #jil sander
Curves: Miranda Kerr, Fall–Winter 2010–2011, Jil Sander by Raf Simonsphotography willy vanderperre styling olivier rizzo

Curves: Miranda Kerr, Fall–Winter 2010–2011, Jil Sander by Raf Simons
photography willy vanderperre styling olivier rizzo

Hands: Guerrino Santulliana, Fall–Winter 2011–2012, Jil Sander by Raf Simonsphotography willy vanderperre styling olivier rizzo

Hands: Guerrino Santulliana, Fall–Winter 2011–2012, Jil Sander by Raf Simons
photography willy vanderperre styling olivier rizzo

Beauty: Daria Strokous, Fall–Winter 2011–2012, Jil Sander by Raf Simonsphotography willy vanderperre styling olivier rizzo

Beauty: Daria Strokous, Fall–Winter 2011–2012, Jil Sander by Raf Simons
photography willy vanderperre styling olivier rizzo



Loose Powder by Jil Sander
BLESS beauty-productMake Up Pictures
Eye Shadows, March 2003Project initiated by Louis-René Bezier
Coloured eye shadows are embedded into postcards: white lines along a road, sand on the beach, leaves. As an element of the landscape, the make up becomes decorative. The postcard can be placed on a bathroom wall allowing the make-up to be applied from this vertical position.

BLESScelebrating 10 years of themelessnessNº 00 — Nº 29

Loose Powder by Jil Sander

BLESS beauty-product
Make Up Pictures

Eye Shadows, March 2003
Project initiated by Louis-René Bezier

Coloured eye shadows are embedded into postcards: white lines along a road, sand on the beach, leaves. As an element of the landscape, the make up becomes decorative. The postcard can be placed on a bathroom wall allowing the make-up to be applied from this vertical position.

BLESS
celebrating 10 years of themelessness
Nº 00 — Nº 29

spring–summer 2007, jil sanderphotography willy vanderperre styling olivier rizzo

spring–summer 2007, jil sander
photography willy vanderperre styling olivier rizzo


In a giant white gallery space in the outside of Milan, Raf Simons     called on lighting designer Thierry Dreyfus to bring him the sun,     which he ‘captured’ within a void on the wall. The idea was to     recreate summer sunlight, the hazy orange glow that kissed the models     faces.

the venue, jil sanderscenography atelier thierry dreyfus

In a giant white gallery space in the outside of Milan, Raf Simons called on lighting designer Thierry Dreyfus to bring him the sun, which he ‘captured’ within a void on the wall. The idea was to recreate summer sunlight, the hazy orange glow that kissed the models faces.

the venue, jil sander
scenography atelier thierry dreyfus

nothing elsestyling haider ackermann photography sybille walter
encens nº20, fall–winter 2007–2008

nothing else
styling haider ackermann photography sybille walter

encens nº20, fall–winter 2007–2008

✴✴✴ BE A CUSTOMER ✴✴✴
leather billfold wallet with chainmail overlay, jil sandernote: help me fund my next céline. thanks!

✴✴✴ BE A CUSTOMER ✴✴✴

leather billfold wallet with chainmail overlay, jil sander
note: help me fund my next céline. thanks!

jil sanderphotography jean-marc manson
visionaire’s fashion 2000: designers at the turn of the millennium stephen gan, laurence king

jil sander
photography jean-marc manson

visionaire’s fashion 2000: designers at the turn of the millennium
stephen gan, laurence king

sunglassesjil sander • oliver peoples for takahiro miyashita’s the soloisthuge, june 2011

sunglasses
jil sander • oliver peoples for takahiro miyashita’s the soloist
huge, june 2011