c o t o n b l a n c
Faye Wong with husband Li Yapeng in a 2012 rendition of the Le Smoking tuxedo by Yves Saint Laurent, 1966

Faye Wong with husband Li Yapeng in a 2012 rendition of the Le Smoking tuxedo by Yves Saint Laurent, 1966

(Source: wongfei)


Top and trousers by Tom Ford for Yves Saint Laurent Rive Gauche.

I Don’t Have To Justify Anythingphotography kayt jones styling belen casadevall
i-D Magazine, The Emotion Issue, November 2002

Top and trousers by Tom Ford for Yves Saint Laurent Rive Gauche.

I Don’t Have To Justify Anything
photography
 kayt jones styling belen casadevall

i-D MagazineThe Emotion Issue, November 2002

Make-up: Fall–Winter 2008–2009, Stefano Pilati for Yves Saint Laurent

Make-up: Fall–Winter 2008–2009, Stefano Pilati for Yves Saint Laurent

Backstage: Fall–Winter 2008–2009, Stefano Pilati for Yves Saint Laurent

Backstage: Fall–Winter 2008–2009, Stefano Pilati for Yves Saint Laurent


Kirsty wears jacket, shirt and trousers by Tom Ford for Yves Saint Laurent Rive Gauche.

Like Someone Watching Over Mephotography robert wyatt styling lucy ewing 
i-D Magazine, The Emotion Issue, November 2002

Kirsty wears jacket, shirt and trousers by Tom Ford for Yves Saint Laurent Rive Gauche.

Like Someone Watching Over Me
photography
 robert wyatt styling lucy ewing 

i-D MagazineThe Emotion Issue, November 2002



Eye Shadow by Yves Saint Laurent
BLESS beauty-productMake Up Pictures
Eye Shadows, March 2003Project initiated by Louis-René Bezier
Coloured eye shadows are embedded into postcards: white lines along a  road, sand on the beach, leaves. As an element of the landscape, the  make up becomes decorative. The postcard can be placed on a bathroom  wall allowing the make-up to be applied from this vertical position.

BLESScelebrating 10 years of themelessnessNº 00 — Nº 29

Eye Shadow by Yves Saint Laurent

BLESS beauty-product
Make Up Pictures

Eye Shadows, March 2003
Project initiated by Louis-René Bezier

Coloured eye shadows are embedded into postcards: white lines along a road, sand on the beach, leaves. As an element of the landscape, the make up becomes decorative. The postcard can be placed on a bathroom wall allowing the make-up to be applied from this vertical position.

BLESS
celebrating 10 years of themelessness
Nº 00 — Nº 29

The Individual Lurephotography mario sorrenti styling jane how
vogue italia october 2000

The Individual Lure
photography mario sorrenti styling jane how

vogue italia october 2000

spring–summer 2001, tom ford for yves saint laurent
postcards from the edge of the catwalk photography iain r webb

spring–summer 2001, tom ford for yves saint laurent

postcards from the edge of the catwalk
photography iain r webb

audrey marnayyves saint laurent, january 2002
postcards from the edge of the catwalk photography iain r webb

audrey marnay
yves saint laurent, january 2002

postcards from the edge of the catwalk
photography iain r webb

isabella blow at yves saint laurent by tom fordspring–summer 2001
postcards from the edge of the catwalk photography iain r webb

isabella blow at yves saint laurent by tom ford
spring–summer 2001

postcards from the edge of the catwalk
photography iain r webb

yves saint laurent, january 2002
postcards from the edge of the catwalk photography iain r webb

yves saint laurent, january 2002

postcards from the edge of the catwalk
photography iain r webb

fall–winter 2000–2001, hedi slimane for yves saint laurent menswear

fall–winter 2000–2001, hedi slimane for yves saint laurent menswear